{"id":96,"date":"2026-03-30T12:38:16","date_gmt":"2026-03-30T12:38:16","guid":{"rendered":"https:\/\/juliastolba.org\/?page_id=96"},"modified":"2026-04-15T09:21:34","modified_gmt":"2026-04-15T09:21:34","slug":"96-2","status":"publish","type":"page","link":"https:\/\/juliastolba.org\/?page_id=96","title":{"rendered":""},"content":{"rendered":"\n

collective work<\/h2>\n\n\n\n
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Partizan\u2605ke Art<\/a><\/p>\n\n\n\n

The exhibition Partizan\u2605ke Art features scientific and artistic positions which illuminate the scarcely visible female resistance against the German occupation forces and the Axis powers in Yugoslavia and Carinthia\/Koro\u0161ka. The term „partisan art“ describes art as resistance or culture as a subversive practice of Yugoslav and Carinthian-Slovenian partisans. Cultural struggle included both avant-garde female artists and peasant women who expressed themselves in traditional forms of folk art. The subversive culture they created \u2013 literature, visual arts, film, photography, comics, textiles, graphics, theater, dance, and monument architecture \u2013 is contextualized as a crucial part of a European history of resistance.<\/p>\n\n\n\n

> Partizanke Art Video Collection<\/a><\/p>\n\n\n\n

Curated by:<\/strong> Partizan\u2605ke Art Collective: Elena Messner, Brigita Malenica, Julia Stolba, Sabina Ferhadbegovi\u0107, Goran Lazi\u010di\u0107<\/p>\n<\/div><\/div>\n\n\n\n

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avArc<\/a><\/p>\n\n\n\n

The avArc project: A Landscape of Memory and Temporalities explores questions concerning how to address the transformation of memory and places of remembrance, as well as their cartographic mapping and archiving. A key factor in the project\u2019s considerations and plans was the treatment of sites of Nazi crimes which, alongside the concentration camps established in the canon of knowledge, often bear little or no trace of what took place there. In most cases, no educational activities take place at these sites; and when they do, they are invariably driven by local initiatives, activists and\/or the relatives of the victims. Yet almost every spot that could be marked on a map is a place of history and stories that should not be forgotten.<\/p>\n\n\n\n

As an archive, the project documents all sites of Nazi crimes and anti-fascist resistance. avArc is an open-source project, an archive that emerges from and grows through the collective knowledge of many. We therefore view our work as an ongoing process, never complete or finalised.<\/p>\n\n\n\n

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INGLAM<\/a><\/p>\n\n\n\n

INGLAM ist eine Band f\u00fcr Lecture Performances, gegr\u00fcndet 2022 an der HFBK Hamburg. Sie setzt sich via gesprochenem Wort, projiziertem Bewegtbild und Soundcollagen mit unterschiedlichen kunstvermittlerischen Forschungsans\u00e4tzen und damit verbundenen politischen, k\u00fcnstlerischen und theoretischen Fragen kritisch und reflektierend auseinander.<\/p>\n\n\n\n

Das Akronym INGLAM  steht f\u00fcr \u00bbInglourious Art Mediators\u00ab. Die Selbstbezeichnung nimmt Bezug auf den Titel des Quentin Tarantino Films \u00bbInglourious Basterds\u00ab aus dem Jahr 2012 und versteht sich als antifaschistisches Statement: begann doch alles bei INGLAM mit Radiospots, die Propaganda mit dem Slogan \u201eFight Antisemitism and Racism together\u201c machen wollten. Zugleich verweist INGLAM auf den Glitzer- und Diskoeffekt einer Musikband, auf einen Glamour, der so in dieser Form Kunstvermittler:innen allzu wenig zugeschrieben wird. So liegt eine stolze kunstvermittlerische und kunstp\u00e4dagogische Selbstbehauptung im Glitzerstaub, den wir verstreuen, w\u00e4hrend wir gleichzeitig \u00fcber Arbeitsbedingungen und Abwertungsdiskurse sprechen. Wir umarmen den Glamour ebenso wie die unglamour\u00f6sen Aufgaben im Schatten des institutionellen Lichts, die wir als Freir\u00e4ume f\u00fcr die Kunstvermittlung und Kunstp\u00e4dagogik nutzen.<\/p>\n\n\n\n

INGLAM sind Anja Steidinger, Nora Sternfeld und Julia Stolba<\/p>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

collective work Partizan\u2605ke Art The exhibition Partizan\u2605ke Art features scientific and artistic positions which illuminate the scarcely visible female resistance against the German occupation forces and the Axis powers in Yugoslavia and Carinthia\/Koro\u0161ka. The term „partisan art“ describes art as resistance or culture as a subversive practice of Yugoslav and Carinthian-Slovenian partisans. Cultural struggle included […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-96","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/juliastolba.org\/index.php?rest_route=\/wp\/v2\/pages\/96","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/juliastolba.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/juliastolba.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/juliastolba.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/juliastolba.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=96"}],"version-history":[{"count":8,"href":"https:\/\/juliastolba.org\/index.php?rest_route=\/wp\/v2\/pages\/96\/revisions"}],"predecessor-version":[{"id":202,"href":"https:\/\/juliastolba.org\/index.php?rest_route=\/wp\/v2\/pages\/96\/revisions\/202"}],"wp:attachment":[{"href":"https:\/\/juliastolba.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=96"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}